Choice ID Image Painting (From A to Z) Details
82171
Water Carrier
Medium Oil on canvas
Dimensions 68 x 52 cm (26.8 x 20.5 in)
cjr
85939
Water Carrier
Oil on canvas
Dimensions 68 x 52 cm (26.8 x 20.5 in)
cyf
96636
Water Carrier
oil on canvas
Dimensions 68 X 52 cm
cyf
62460
What courage
1810-15 Etching and aquatint, 155 x 208 mm - This is Plate 7 from the series The Disasters of War (Los desastres de la guerra). Goya reacted to the struggle against the French with The Disasters of War, his second great cycle of etchings after Los Caprichos. It extends to over 80 plates, but includes only few acts of heroism, such as that of the young woman who fires the cannon after all the men are dead. Author: GOYA Y LUCIENTES, Francisco de Title: What courage! Form: graphics , 1801-1850 , Spanish , other
62463
What more can one do
1812-15 Etching and aquatint, 158 x 208 mm - This is Plate 33 from the series The Disasters of War (Los desastres de la guerra). French soldiers castrate or kill a defenceless man. This is another scene that the artist, living in Madrid, probably did not see at first hand. Brutality and death fired his imagination. Author: GOYA Y LUCIENTES, Francisco de Title: What more can one do? Form: graphics , 1801-1850 , Spanish , other
77573
White Duchess
1795(1795)
Medium Oil on canvas
Dimensions 194 ?? 130 cm (76.4 ?? 51.2 in)
cyf
78439
White Duchess
1795(1795)
Medium Oil on canvas
Dimensions 194 x 130 cm (76.4 x 51.2 in)
cyf
62483
Who Can Think of It
1814-23 Sepia wash and Indian ink, 205 x 142 mm Museo del Prado, Madrid This graphics belongs to Album C. Author: GOYA Y LUCIENTES, Francisco de Title: Who Can Think of It? Form: graphics , 1801-1850 , Spanish , other
79133
wife of painter Goya
1795-1796
Medium Oil on canvas
Dimensions 81 x 56 cm (31.9 x 22 in)
cyf
62466
Will She Rise Again
1810-1814 Etching, 175 x 220 mm - This is Plate 80 from the series The Disasters of War (Los desastres de la guerra). In the concluding plates of the Disasters of War are shown the burial of a beautiful young woman, followed by her exhumation or resurrection . Captioned Murio la verdad (Truth has Died), the first shows her body radiant with light as she lies in her grave and a looming priest administers the last rites. In the companion print, Si reucitaria? (Will She Rise Again?), she is exposed, her radiance and beauty faded, her face aged. Still she emits a glow that seems all the greater for the depth of background shadow - and sufficient to throw the crowd of peering ghouls into a frenzy. Here, the parallel hatching of the first etched plate is replaced by radiant lines, inked more intensely as they spread away from the body
44139
Witches in the Air
1797-98
Oil on canvas,
43,5 x 31,5 cm
44103
Witches Sabbath
1820-23
140 x 438 cm
91648
Witches Sabbath
between 1820(1820) and 1823(1823)
Medium Oil on plaster mounted on canvas
cyf
28590
Witches'Sabbath of The Great Goat
mk61
c.1820-1822
Oil on canvas
140x438cm
44128
Witches- Sabbath
1789
Oil on canvas,
43 x 30 cm
91488
woman and two children by a fountain
1786(1786)
Medium oil on canvas
Dimensions 35.5 x 18.8 cm (14 x 7.4 in)
cyf
62481
Woman Hitting Another Woman with a Shoe
1812-23 Sepia wash, 205 x 141 mm Museum Boijmans van Beuningen, Rotterdam This graphics is from Album F. Author: GOYA Y LUCIENTES, Francisco de Title: Woman Hitting Another Woman with a Shoe Form: graphics , 1801-1850 , Spanish , other
62480
You'll see later
1803-12 Indian ink and pen on pink paper, 266 x 187 mm Metropolitan Museum of Art, New York This sketch shows a burly lower-class man drinking greedily from a leather bottle. Ha has clearly been arguing with his wife, and Goya shows a moment of discord and dramatic action. With just a few precise brushstrokes and without any prior drawing, Goya conveys an emotionally charged expression. Author: GOYA Y LUCIENTES, Francisco de Title: You'll see later (Despu?s lo veras) Form: graphics , 1801-1850 , Spanish , study
